Nina Vasilchenko
POST-REALITY
POST-REALITY is an interactive online installation that becomes a socio-technological experiment. The project is set in a future after the collapse of classical archives: Wikipedia, databases, and encyclopedias have been fragmented through manipulation, algorithmic interventions, and edit wars. AI-generated versions flood the networks, while free access is increasingly regulated. What remains are unstable truths that change in real time.
POST REALITY stages such a control system and shows how knowledge, in a post-factual environment, becomes an emotionally driven instrument. Texts are deleted, rewritten, or neutralized; language is standardized until only system-compliant fragments remain.
In the end, the archive collapses — what remains are decomposed links, flickering text fragments, and a digital echo of what reality once was.
Concept & Realisation Nina Vasilchenko
Creative Coding Jasper Alexander Gradussen
Nina Vasilchenko is a multidisciplinary artist and creative entrepreneur with a focus on scenography, exhibition architecture, media art, film, and hybrid formats. Her work combines artistic, digital, spatial, and material-based research and engages with psychological dimensions that resist clear categorization and complete resolution.
Since 2019, she has been the founder and artistic director of ‘THE FACTORY – Free Art Space in Salzburg’—an environment in which interdisciplinary artistic processes as well as free, experimental, subcultural, and work-in-progress practices are publicly shared and made visible at changing locations.
nina-vasilchenko.com / www.instagram.com/the.factory.salzburg
Jasper Alexander Gradussen is a programmer and creative technologist with a focus on web-based systems, interactive interfaces, and generative digital processes. His work operates at the intersection of technology, design, and artistic research. Working with Nina Vasilchenko, he is responsible for the technical development of the interactive online installation Post-Reality. This includes the implementation of emotion recognition, dynamic text transformations, glitch-based visual processes, and the development of a dramaturgical escalation within the interface.
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